Without watching and immersed in a repetitive sound space mixed live by Victor Pivert I enter in a voluntary state of modified consciousness. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I pose blind on the paper the demonstration of geometic forms in continual transformation which pass through my mental. I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Friday, June 25, 2010 at Caves Tavelli in Sierre, Switzerland, within the scope of the master diplomas’ exposure Expo MAPS organized by ECAV school.

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Friday, June 25, 2010 at Caves Tavelli at Sierre, Switzerland, within the scope of the master diplomas’ exposure Expo MAPS of ECAV school.   To listen to the soundtrack created by Cetusss > www.soundcloud.com/paysage-canalis-07

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Thursday, May 20, 2010 at Plattfon & Stampa in Basel, on an invitation by Aline Zeltner.   To listen to the soundtrack created by Cetusss > www.soundcloud.com/paysage-canalis-06

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Saturday, May 1st, 2010 at Live in your Head Gallery in Geneva, during ACT 10 performances Festival.   To listen to the soundtrack created by Cetusss > www.soundcloud.com/paysage-canalis-05

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Sunday, April 11, 2010 at Kunsthof in Zurich, during ACT 10 performances Festival.

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performance realised on Sunday March 28, 2010 at Hochschule in Luzerne, during ACT 10 performances Festival.

Immersed in a repetitive sound space mixed live by Cetusss from sounds recorded in the tropical forest and the capital of Agentina, I give up myself in a required state of half-transe. Entered in voluntary state of consciousness modified and blind, I pose on the paper the demonstration of geometic forms in continual transformation, which cross my mental. Without knowing neither the color of the fatty pastels employed, nor to observe the drawing in formation, I cut myself as much as possible of a control and plastic research on the image under development. On the support takes form, by superposition, regrouping or rupture, an organic network of features which develops in a singular plastic language.   Performances realised on Sunday, March 14, 2010 at Agent Double Gallery in Genève, during the Outerspace festival. > www.elvisss.com/outerspace/14mars

Collaboratif work developped for a pluridisiplinary project on an invitation by Célia Houdart, on an order by Angèle Terrier and Franck Ragot. Video drawed during an artistic residency in Mai 2006 at Eremo di Santa Caterina on the Isola Elba, Italy, directed by Hans Georg Berger.   Image and production, Yann Amstutz Text and voice, Célia Houdart Original soundtrack, Lionel Quantin